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Instead of using statistics and stunts, as he did in Bowling For Columbine, Moore uses narrative and newsbites to lead the audience. This is why his film is more socially effective than any of his others. In the age of reality tv and instant information, the news photos and videos Moore splices in this film provide the audience with a seemingly “official” appeal. The clips serve as a vague snapshot; to jog memories and general assumptions about what we all think we remember. But, just like in Bowling For Columbine, Moore’s editing determines the relevance of most of what’s shown, sacrificing unbiased, actual context. If someone were to pay you $100,000 for a project to take a bunch of news clips and edit them so they showed “an anti-bush bias”, i doubt any of us would have much difficulty, either.
and she’s going to keep him. while her family urged her to put the frog/child up for adoption, Rita knew they were inseparable from the moment they laid eyes on each other. she imagined his first steps, his first teeball game, and it filled her with joy. no matter how poisonous, amphibian, or vain the frog was, Rita made up her mind to love him unconditionally. this is what she had been waiting for all of her life. 

